Connecting images 1-10

HAUT-enc1-10

The connecting images 1-10 and an image CI 9-5, oil (178 x 263cm)

Warning: The level of communication between of the following images is lower than the connecting images when those are viewed individually, thank you for your comprehension.

CONNECTING IMAGES 1-10

INTRODUCTION to connecting images 1-10 (1972-1984). The ZIP to the right includes one RTF and one PDF, total 778 kb.




	PDF 2017	Connecting image 1 A, minimal explanations. These 10 images were conceived almost spontaneously for the forms except 3. Format: 10 (76 x 99 cm) and the length for the exhibit is 12 m.	800 x 14000	921kb	T Fr 1




	PDF 9/2007	Connecting Image 2 A, minimal explanations and the image exhibited, 58m, 1977-78. Transition from small to large, very dark to very light...	800 x 14000	1.07 mb	T Fr 3




	PDF 01/2011	Connecting Image 3 A, explanations of the first part (the browns) and image, 1978. Introduction of small images inside others that serve as continuity and key to future images.	800 x 14000	1.02 et 1.16 mb	T Fr 2
	PDF 02/2012	Connecting Image 3 A, excerpts (drawings and paintings).	800 x 10000	1.0 mb et 927 kb	T Fr 1




	PDF 02/2012	Connecting Image 4 A, introduction of small images inside others, aimed at reproducing 360 degrees rotations... 1980.	800 x 10500	1.27 et 1.23 mb	T Fr 2
	PDF 02/2012	CI 4 A, (image only). CI 4 A, 3 D excerpts total organization 5, 6.	800 x 9000	681kb	image
	PDF 02/2012	CI 4 A, excerpts 1 (drawings, paintings, total organizations), 1980s.	800 x 12500	1.71 et 1.33 mb	T Fr 2
	PDF 02/2012-21	CI 4 A, excerpts 2 (drawings, paintings, one total organization and stained glass), 1980s. For more information, please view the following image.	800 x 12500	1.82 et 1.63 mb	T Fr 2


Connecting image 4C, excerpts: Total organizations 5, 6,11,12 & stained glasses (drawings, paintings, and stained glasses), 1980s. “ALL is ONE” meant that each element complements the others. The total arrangements 11, 12 were destroyed for lack of adequate knowledge in 2023 by ? The ZIP to the right includes 4 RTFs and 8 PDFs, total 33.9 mb. If this project becomes public again, its new title would be “Excerpt from connecting image 4”.





	PDF 02/2012	Connecting image 5 C, the continuity of small images in inside others is more pronounced, and spontaneity is followed by several stages of polishing, etc. 1980.	800 x 14000	1.48 et 1.87 mb	T Fr 2
	PDF 02/2012	CI 5 C, image only.	800 x 12500	818 kb	image
	PDF 02/2012	CI 5 C, excerpts (drawings and paintings), 1974-84.	800 x 12500	1.44 et 1.64 mb	T Fr 1
	PDF 02/2012	Connecting Image 6 B, three proposals for a government project. The second proposal became CI 6. It was influenced by CI 4, 1980.	800 x 14000	2.25 et 2.38 mb	T Fr 2




	PDF 3/2010	Connecting image 7 B, minimal explanations and the image, 5m, 1981. Unique organization of the motion of a form (horizontal = vertical).	750 x 14000	1.16 mb	T Fr 1
	PDF 3/2010	CI 7 B, keys & exceprts, minimal explanations and images. 3 D excerpts total organization 14, 16. This 1% public government project disappeared for lack of adequate knowledge in 1980s, the administration claims that it was stolen ??? (weight, etc.)	800 x 11000	1.25 mb	T Fr 1


Connecting image 8 B, “Visit” minimal explanations: Continuity of connecting image B. During this period the mixture of the color with the white was minimal, for example the yellow was used for the light instead of the white. Format 5 X 30 cm with 15 X 5 cm, length of exposure 13.3 m.						T Fr 1




“To go beyond time” Connecting images 9 B, C, minimal explanations: The purpose of this connecting image was to combine parallel color (transition 8), expansionist color (transition 9) and transition between the warm and cold color (transition 10), on a larger scale, clarified in November 2009. Format: B= Approximatively 2.5 X 2.5 cm to 16 X 25 cm, length of exhibit 1.2 m, 1980-81. Format C= 82 X 66 to 178 X 263 cm, length of exhibit 16 m, 1980-82. For more information, PLEASE view images CI 9 B-C, the excerpts / SOLO AT 15, 17, 18 and the pdf “EXPOS-8a, b, c-Joliette, 1983”. The ZIP to the right includes 2 RTFs and 4 PDFs, totat 3.87mb.

Minimal explanations: The images above are excerpts and one key of connecting image 9. Technique: Colored pencils, wool, dry pastel, wood, acrylic, oil, etc.The ZIP to the right includes 5 RTFs and 5 PDFs, total 4.19mb.




	PDF 3/2011	Connecting image 10 B, minimal explanations and the image, 14m, 1984. 3 D is enlarged using 2 D. New technique of drawing...	800 x 14000	585 et 520 kb	T Fr 2
	PDF 02/2012	CI 10 B, keys, sculptural organizations 19, 20, 21a, 21b, 30a, et 30b (tilleul / pine), 360 degree views (front/back and different angles) 1980s.	800 x 14000	1.0 à 1.65 mb	T Fr 2





	PDF 3/2011	CI 10 B, keys & exceprts, minimal explanations.	800 x 12500	1.21 et 1.09 mb	T Fr 2
	PDF 3/2011	CI 10 B, exceprt, AS 75a “Traveling family”, front views.	1000x14000	2.28 et 2.25 mb	T Fr 1 a,b
	PDF 3/2011	CI 10 B, exceprt, AS 75a “Traveling family”, views from an angle.	1000x14000	2.41 et 2.39 mb

CLOSE-UPS: These images are part of the connecting images 1,2,3,4,5,9,10. They were done by hand, techniques (oil / dry pastel / lead). The Zip to the right contains 1 rtf and 1 pdf for a total 1.32 mb.

CONNECTING IMAGES (11-33)

Enc(11-33)-Intro-850

CONNECTING IMAGES (34-40, 48-50, 57, 59, 60)

CONNECTING IMAGES (71-90)

Enc(71-80)-850

EXCERPTS from 1-30, 31-40, 48-50, 57-60 (sculptural & total organizations)

COMPARISONS 41-47, 51-55, and TRANSITION versus man-made 1-

com8-(50x765)

NATURAL CONNECTING IMAGES intro & (56, 61-70)

e56, 61-70-(418x850)

EXHIBITIONS

PDF file, 17 (768 x 1024), format 2.27mb, october 2011

T FR EN 1

EXHIBITIONS 1977-2002, may 2021

EXPOs-MINIs-369x850

The image above is a MINI (miniature) preview of the zip file below. It is a PDF file conceived for small screens. The original images have been reduced to approximately 8%. Format (5000 x 30000), 12.4 mb.

NO VISUAL EXPLANATIONS

The visual explanations of these files can be available on special request: A ZIP {(269mb, without compression) contain 33 PDFs, accompanied by word files RTFs (minimal explanations in French), format (3000-7680 X 30000 pixels, they vary between 4.01 and 12.9 mb)}. The enormous time spent to prepare these exhibitions contributed to better understand ding why it is very difficult to communicate unified sensory information in 2021.

Sensory information of everyday life is the accumulation of personal experiences and those shared with others.

Theory: Unified sensory information of a parallel environment that lets the participants progress toward knowledge.

Theory: Disconnected sensory information of a non parallel environment that forces the participants to almost constantly try to find the parts that can ease passage between the unprepared oppositions (the "anything goes" or almost).

Wishing you unified sensory information,

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